:: paolo squarzon ::

< sonic art, music and technologies >

Apr 2009

Ensemble Contrechamps @ Intrasonus Festival

... after listening to the fabulous musicians of Klangforum Wien, the Intrasonus Festival will feature a concert by the Ensemble Contrechamps at Teatro universitario in Campo S. Margherita (Venice) at 11:30 AM.


Heinz Holliger,
     pour flûte solo
    (2005-2006) [10’]
Klaus Huber,
     pour clarinette, violoncelle et piano     (1975) [15’]
Michael Jarrell,
    Mais les images restent
     pour piano solo
    (2003) [10’]
Beat Furrer,
    pour clarinette, violoncelle et piano
    (1991) [15’]
Roberto Rusconi,
    “Chalong Temple”
     pour flûte, clarinette, violon, violoncelle et piano (2009) [12’]

contrechamps Ensemble Contrechamps


Klangforum Wien @ Intrasonus Festival

April 29, 2009, 6:30 pm: An interesting concert will take place at the Auditorium Candiani in Mestre-Venice: Klangforum Wien wil perform works by H. Kyburz, R. Rusconi and B. Furrer.
For further infos you can visit the Intrasonus site
(BTW, I think I will be there...)
Klangforum Klangforum Wien


briefly, some info about me...

Paolo Squarzon got a Composition degree with full marks at the Conservatorio in Padua. After that he followed several specialization courses under the guide of Brian Ferneyhough and Franco Donatoni at the Accademia Chigiana in Siena, Accademia Nazionale di S. Cecilia in Rome and the Fondation Royaumont.
Furthermore, he studied Electronic music at the Venice Conservatorio under the guide of Alvise Vidolin and took workshops with (among others) A. Di Scipio.
In 1995 he won the first edition of the “Amsterdam New Music” competition (Gaudeamus Foundation) with Rèseaux II for violin and cello.
In 1999 he was finalist at the first edition of the international competition “Novecentomusica” (Cantelli Foundation, Milan) with Methexis for 12 soloist strings.
His last works include pieces for acousmatic pieces and for soloists (voice, doublebass recorder, viola), live electronics and video.
Currently his search is more and more focused towards compositional and psychoacoustical interactions between acoustic instruments and live electronics.
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